Variations on Idiorrhythmy

  • Heather Kai Smith
A small group of people huddles together, leaning toward one another. The faceless crowd, rendered by the stark application of graphite on paper, forms a circle punctuated by yellow, blue, and red threads.
Heather Kai Smith, Variations on Idiorrhythmy: Grief, graphite and coloured pencil on paper, 2023. Courtesy the artist.

A small group of people huddles together, leaning toward one another. The faceless crowd, rendered by the stark application of graphite on paper, forms a circle punctuated by threads in yellow, blue, and red. Emerging from their heads and backs, the ribbons of primary colours visually echo the participants’ formation, uniting each member in an intimate moment of camaraderie. Part of Variations on Idiorrhythmy—a series by Heather Kai Smith that reconceives archival photographs of collective activity through drawing—Grief (above) acknowledges the power of mutual support and strength in numbers for healing.

Heather Kai Smith, Variations on Idiorrhythmy: Energy Work, graphite and coloured pencil on paper, 2023. Courtesy the artist.

For Variations on Idiorrhythmy, Smith recalls Roland Barthes, who in How to Live Together posits an interdependent world where the self and collective are deeply entwined.1 Drawing from the communality of monastic life, Barthes employs the term idiorrhythmie to describe a form of living together that does not preclude individual freedom in spite of the homogenizing tendencies of monasticism. In her drawings, Smith considers idiorrhythmy through iterative depictions of people engaged in communal and embodied practices, including Energy Work and Meditation. The coloured threads reappear here, behaving differently than in Grief. Outside the frame or hovering on top of the figures, each stroke seemingly evokes what is beyond perception: the connective energies of bodies in relation.

Heather Kai Smith, Variations on Idiorrhythmy: Meditation, graphite and coloured pencil on paper, 2023. Courtesy the artist.

Through a visual language that both delineates and blends its subjects, Smith’s group portraits swiftly oscillate between the details and contours, presence, and erasure. At a distance and looking down, the viewer is only peripherally welcomed in, further complicating Smith’s play with inclusion and omission in group dynamics. The crowded rooms of Energy Work and Meditation invite us to feel the chorus of breath and warmth that ripples through them, offering a glimpse into the independent yet shared experience of being in community.



Heather Kai Smith (she/her) is a visual artist and educator originally from Calgary, Canada. Drawing is at the root of her practice, working through the communicative potential of the medium. Her work references and activates images of collective engagement, histories of communal living strategies, and organized dissent. Smith is currently a Collegiate Assistant Professor at The University of Chicago. Recent independent and collaborative exhibitions include Logan Center Exhibitions (Chicago), Vancouver Art Gallery, Tallinn Art Hall (Estonia), Walter Phillips Gallery (Banff), studio e gallery (Seattle), and Morris and Helen Belkin Art Gallery (Vancouver).

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