Anthea Black is a Canadian artist, writer, and cultural worker based in San Francisco and Toronto. Her work addresses feminist and queer history, collaboration, materiality, and labour. She has exhibited and published in Canada, the United States, the Netherlands, France, and Norway. She is the co-editor of HANDBOOK: Supporting Queer and Trans Students in Art and Design Education with Shamina Chherawala, and Craft on Demand: The New Politics of the Handmade with Nicole Burisch. Black is an Assistant Professor of Printmedia at the California College of the Arts.
Instigated by Keith Hennessy in 2001, Circo Zero makes live performances responding to political crises, while centring queer bodies and ideas. For the 2017 performance of Turbulence (a dance about the economy), the group consisted of Laura Larry Arrington, Jorge De Hoyos, Ruairí Donovan, Empress Jupiter, keyon gaskin, Jesse Hewit, Jassem Hind, Shaista Latif, Emily Leap, Allyson Mitchell, Julie Phelps, Brian Solomon, Gabriel Todd, Alley Wilde, and Ravyn Wngz.
Thirza Jean Cuthand (b. 1978, Regina SK) makes short experimental videos and films about sexuality, madness, queer identity, love, and Indigeneity, which have screened in festivals and galleries internationally. She completed her BFA majoring in Film/Video at Emily Carr University of Art and Design in 2005, and her MA in Media Production at Ryerson University in 2015. A Whitney Biennial 2019 artist, she has performed at Live At The End Of The Century in Vancouver, the Performatorium in Regina, and 7a*11d in Toronto. She is Plains Cree/Scots, a member of Little Pine First Nation, and resides in Toronto, Canada.
Erika DeFreitas is a Scarborough-based multidisciplinary conceptual artist. Placing an emphasis on process, gesture, and documentation, her work explores the influence of language, loss, and culture on the formation of identity, with the use of textile-based works and performative actions. Her work has been exhibited across Canada and the United States. Longlisted for the 2017 Sobey Art Award, a recipient of the Toronto Friends of Visual Arts’ 2016 Finalist Artist Prize and the 2016 John Hartman Award, DeFreitas holds a Master of Visual Studies from the University of Toronto.
Petrina Ng is a visual artist and cultural worker based in Toronto. Her multi-form feminist practice connects intimacy, discomfort, and absurdity. Previous projects have been shown in Canada, the United States, and the United Kingdom. Ng received a BA from the University of Toronto and an MFA from the Slade School of Fine Art (London).
Radiodress is an artist, Priestess, and Prison Chaplain. In hir creative practice, s/he uses live and recorded ritual, singing, yelling, talking, and listening to consider bodies as sites of knowledge, and communication as a political practice. Exploring the relationship between collective voice and the empathic act of listening, hir work engages with consensual ceremony as a site of vulnerability, and an entry point to sensation and emotion-based transformation. Radiodress’s projects have been performed widely in North America, Europe, South Asia, and the Middle East.
Zoë Schneider is a sculptor, curator, and arts administrator who transforms found and fabricated materials into artworks that investigate corporeality within social systems. Schneider’s works explore various phenomenon and experience, invoking responses ranging from quiet contemplation to interactive engagement. Schneider is currently completing an MFA at the University of Saskatchewan.
Kara Stone is an artist and scholar interested in the affective and gendered experiences of mental illness, wellness, and healing as it relates to art production, video games, and traditional crafting. Her artwork has been featured in The Atlantic, Wired, and Vice. She is a member of the Different Games Collective. She holds an MA from York University in Communication and Culture and is pursuing a PhD in Film and Digital Media with a designated emphasis in Feminist Studies at University of California, Santa Cruz.
Evan Tyler is an artist, musician, occasional curator, and a writer of fiction living and working in Canada. Tyler has exhibited and curated both nationally and internationally. From 2010-2014 he ran gallerywest on Toronto’s Queen Street West. His artwork focuses on voice and performance, blending the fictional and autobiographical. Tyler is a graduate of Masters of Visual Studies (MVS) in the studio program at the University of Toronto, with a collaborative graduate specialization from the Mark S. Bonham Centre for Sexual Diversity Studies.
Justice Walz is an interdisciplinary, Toronto-based artist. She is currently completing her BFA in Ryerson University's RTA New Media program. Her work spans a variety of media including installation, illustration, clay, and digital art. At age 11 she was diagnosed with Juvenile Idiopathic Arthritis—a condition that causes her chronic pain and fatigue. Today, Walz uses art to confront past traumas and has embraced her voice as a queer, mad-identifying, intersectional feminist—these themes resonate loudly in her work.
Jessica Lynn Whitbread is an activist and artist who has worked in the HIV movement since her diagnosis in 2002. She works in social practice and community art, engaging a diversity of audiences in critical dialogue. Her primary interests are bodies, sexuality, and desire, and her work explores how gender, sero-status, and criminalization impact the navigation of sexual relationships. In 2014 Jessica published her first book, Tea Time: Mapping Informal Networks of Women Living with HIV, a photo collection of her Tea Time community arts practice.
Letters & Handshakes is a collaboration of Greig de Peuter (Department of Communication Studies, Wilfrid Laurier University) and Christine Shaw (Blackwood Gallery and Department of Visual Studies, University of Toronto Mississauga).
Letters & Handshakes’ past projects include the exhibitions I stood before the source and Precarious: Carole Condé + Karl Beveridge, the forum Fighting Foreclosed Futures: Politics of Student Debt, and the symposium and micropublication Surplus3: Labour and the Digital.
Greig de Peuter collaborates on Cultural Workers Organize, an international research project exploring collective responses to precarity in the cultural and creative industries. He is Associate Professor in the Department of Communication Studies at Wilfrid Laurier University in Waterloo. He is a co-founder of Letters & Handshakes.
Greig de Peuter is Assistant Professor in the Department of Communication Studies at Wilfrid Laurier University. He researches the contested political economy of media and cultural production, with an emphasis on work, labour, and employment. He is currently collaborating with Enda Brophy and Nicole Cohen on a multi-country study of precarious labour politics in creative industries. His most recent book, co-authored with Nick Dyer-Witheford, is Games of Empire: Global Capitalism and Video Games (University of Minnesota Press, 2009). His writing has appeared in The Fibreculture Journal, Journal of Communication Inquiry, Journal of Cultural Economy, and several anthologies. His article with Cohen and Brophy, “Interns, Unite! (You Have Nothing to Lose—Literally),” received the 2013 Canadian Association of Journalists/Communication Workers of America—Canada Award for Labour Reporting. He has been active in collectively run autonomous education and curatorial projects, including the Toronto School of Creativity & Inquiry (2005-2010), and Letters & Handshakes (from 2014).
Christine Shaw is Director/Curator of the Blackwood Gallery and Associate Professor of Curatorial Studies in the Department of Visual Studies at the University of Toronto Mississauga, a Research Fellow & Visiting Scholar in Art, Culture Technology (ACT) at the Massachusetts Institute of Technology, and Curatorial Research Fellow, Andy Warhol Foundation for the Visual Arts (2021–2023).
Shaw’s work convenes, enables, and amplifies the transdisciplinary thinking necessary for understanding our current multi-scalar historical moment and co-creating the literacies, skills, and sensibilities required to adapt to the various socio-technical transformations of our contemporary society. She has applied her commitment to compositional strategies, epistemic disobedience, and social ecologies to multi-year curatorial projects including Take Care (2016–2019), an exhibition-led inquiry into care, exploring its heterogeneous and contested meanings, practices, and sites, as well as the political, economic, and technological forces currently shaping care; The Work of Wind: Air, Land, Sea (2015–2023), a variegated series of curatorial and editorial instantiations of the Beaufort Scale of Wind Force exploring the relentless legacies of colonialism and capital excess that undergird contemporary politics of sustainability and climate justice; and OPERA-19: An Assembly Sustaining Dreams of the Otherwise (2021–2029), a decentralized polyvocal drama in four acts taking up asymmetrical planetary crisis, differential citizenship, affective planetary attention disorder, and a strategic composition of worlds. She is the founding editor of The Society for the Diffusion of Useful Knowledge (Blackwood, 2018–ongoing), and co-editor of The Work of Wind: Land (Berlin: K. Verlag, 2018) and The Work of Wind: Sea (Berlin: K. Verlag, 2023).