Jacket Image: Circo Zero, Turbulence (performance still), 2010–12. Photo: David Visnjic. Courtesy the artists.

Reclaiming self-care and enacting new practices of mutual aid are not separate tasks but reciprocally constituting responses to the crisis of care. Rather than abandon self-care to upmarket consumerism or dismiss it as a supplement to hyper-productivity, Take Care’s third circuit, Infrastructures and Aesthetics of Mutual Aid, retains a commitment to a resistant concept of self-care. It is a survival strategy of bodies, desires, and forms of community which forces of domination continually work to erase, deny, or marginalize.1 In confronting systemic oppressions, exceeding the bounds of the individual, and centring marginalized collective ways of knowing, self-care blurs with mutual aid. “Mutual contest” (competition for limited and shared resources) coexists with a countervailing law of “mutual aid” (reciprocal exchange of resources and co-operative services for mutual benefit), which is vital to the “maintenance of life.”2 Redressing needs that a prevailing order fails to meet, mutual aid is anchored in affective bonds, manifest in practices of co-operation, formalized in institutions, sustained by beliefs and customs, and rooted in the recognition that mutual support is necessary to adapt to and survive adverse material conditions. If the crisis of care atomizes and strains caring capacities, the persistence of mutual aid not only fills care gaps but also affirms an excess of caring capacity and infrastructure-making, tangible and intangible, for an aesthetics of living, carefully, in common.3 Infrastructures and Aesthetics of Mutual Aid opens space for autonomous determinations of care, defiantly performs the precarization of labour and life, rehearses temporary communities of support, and hosts rituals of communication between artist and audience through which the gallery is refigured as a site of mutual aid.

—Letters & Handshakes

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To order any of our publications, please send an email including title(s), number of copies, and your mailing address to: blackwood.gallery[at]utoronto.ca.

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Design
Matthew Hoffman

Printing
Thistle Printing
The Blackwood Gallery gratefully acknowledges the operating support of the Canada Council for the Arts, the Ontario Arts Council, and the University of Toronto Mississauga.

The Blackwood Gallery is grateful for additional support for Circuit 3: Infrastructures and Aesthetics of Mutual Aid from the Institute of Communication, Culture, Information & Technology (UTM); Jackman Humanities Institute Program for the Arts; University of Toronto Affinity Partners Manulife, TD Insurance, and MBNA; USArtists International, a program of Mid Atlantic Arts Foundation in partnership with the National Endowment for the Arts and the Andrew W. Mellon Foundation; Women and Gender Studies (UTM).

Funding for additional staff support was made possible through the Young Canada Works in Heritage Organizations program, Department of Canadian Heritage. The Canadian Museums Association administers the program on behalf of the Department of Canadian Heritage.

The Blackwood Gallery and Letters & Handshakes are indebted to mutual aid and knowledge-sharing. Brandy Leary, Supriya Nayak, Danny Russell, Danielle St-Amour, Joan Simalchik, and Alley Wilde helped make Circuit 3 happen.

Infrastructures and Aesthetics of Mutual Aid

Anthea Black, Circo Zero, Thirza Cuthand, Erika DeFreitas, Petrina Ng, Radiodress, Zoë Schneider, Kara Stone, Evan Tyler, Justice Walz, Jessica Lynn Whitbread

Micropublication produced on the occasion of Infrastructures and Aesthetics of Mutual Aid, Circuit 3 of Take Care, November 20 – December 9, 2017.

Featuring project descriptions, a curatorial essay for The Sustenance Rite by Lauren Fournier, artist biographies, and full colour illustrations throughout. Edited by Letters & Handshakes.

Free
Download micropublication
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The Blackwood
University of Toronto Mississauga
3359 Mississauga Road
Mississauga, ON L5L 1C6

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(905) 828-3789
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The Blackwood is situated on the Territory of the Mississaugas of the Credit, Seneca, and Huron-Wendat.
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