Anthea Black is a Canadian artist, writer, and cultural worker based in San Francisco and Toronto. Her work addresses feminist and queer history, collaboration, materiality, and labour. She has exhibited and published in Canada, the United States, the Netherlands, France, and Norway. She is the co-editor of HANDBOOK: Supporting Queer and Trans Students in Art and Design Education with Shamina Chherawala, and Craft on Demand: The New Politics of the Handmade with Nicole Burisch. Black is an Assistant Professor of Printmedia at the California College of the Arts.
Thirza Jean Cuthand (b. 1978, Regina SK) makes short experimental videos and films about sexuality, madness, queer identity, love, and Indigeneity, which have screened in festivals and galleries internationally. She completed her BFA majoring in Film/Video at Emily Carr University of Art and Design in 2005, and her MA in Media Production at Ryerson University in 2015. A Whitney Biennial 2019 artist, she has performed at Live At The End Of The Century in Vancouver, the Performatorium in Regina, and 7a*11d in Toronto. She is Plains Cree/Scots, a member of Little Pine First Nation, and resides in Toronto, Canada.
Erika DeFreitas is a Scarborough-based multidisciplinary conceptual artist. Placing an emphasis on process, gesture, and documentation, her work explores the influence of language, loss, and culture on the formation of identity, with the use of textile-based works and performative actions. Her work has been exhibited across Canada and the United States. Longlisted for the 2017 Sobey Art Award, a recipient of the Toronto Friends of Visual Arts’ 2016 Finalist Artist Prize and the 2016 John Hartman Award, DeFreitas holds a Master of Visual Studies from the University of Toronto.
Laura Larry Arrington is a dance-artist working in hybrids of idea and practice. Her work in dance (time/space/body/whole) pivots around a desire to orient towards the capacities in us all that can glimpse unseen and unutterable horizons. Her body is her life and her life is her work.
Jorge De Hoyos is an American dancer and choreographer from Southern California based in Berlin since 2012. He studied Cultural Anthropology at the University of California, Santa Cruz, and was active for five years in the dance/queer/etc. performance community in San Francisco. He has presented his work and performed in collaborative projects in both Berlin and San Francisco.
Ruairí Donovan has been making dances since 2008. He splits his time between Oileán Chléire, a remote Gaeltacht Island off the south coast of Ireland, and Amsterdam. His work has been presented internationally to critical acclaim at venues including SummerWorks Toronto, CounterPulse San Francisco, New York Live Arts, Project Arts Centre Dublin, Chapter Cardiff, HAU Berlin, TanzHaus Zurich, and Zodiak Helsinki. A language activist and a choreographer, he is making ritual objects for a tribe which doesn't exist.
Empress Jupiter is a two-spirit shamanatrix storyteller, performance artist, wordsmith, stylist, and fashion influencer. Born in Houston, Jupiter now lives in Miss West Oakland. Jupiter has performed in a wide range of venues, with the mission to support queer and trans people in their self-esteem through fashion, ritual, and performance. Jupiter is the originator of Cunty Calisthenics, a communal improvised workout, and is the curator of the Miss Androgyny Pageant.
Lauren Fournier is a writer, artist, curator, and researcher. She is a doctoral candidate at York University, where she is completing a SSHRC-funded cross-disciplinary study of auto-theory as a contemporary mode of feminist practice. Her prior work as a front-line mental health and harm-reduction worker informs her research. Her work has been exhibited across Canada and in Berlin, Athens, and Houston, and her writing has appeared in numerous arts and academic publications.
Keith Hennessy is a performer, choreographer, teacher, writer, and activist. Born in Sudbury, he lives in San Francisco and tours internationally. Ideas and practices inspired by anarchism, critical whiteness, punk, and queer-feminism motivate and mobilize Hennessy’s creative and activist projects. Hennessy directs Circo Zero, and was a member of the collaborative performance companies Contraband with Sara Shelton Mann, CORE, and Cahin-caha, cirque bâtard.
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Mercy Lilian Gichuki received her MPH from the University of Waterloo and a BA in Women and Gender Studies from UTM. Mercy works as a Public Education and Community Collaborator at Interim Place. For the past ten years, Mercy has worked in public health, working with women living with HIV, survivors of gender-based and sexual violence, newcomers, refugees, and non-status women. Mercy works from an anti-oppressive, integrated feminist lens with a deep understanding of the many intersections that women face.
Jesse Hewit is a three-way cross between a diabolical valedictorian fratboy at a therapy intake session, a fussy-but-useful little baby bear who can make a fierce sandwich, and a really old and mostly unremarkable leather shoe. His work, curations, collaborations, and teachings have happened in various parts of the US and Europe, and he currently serves his local community as curator of Aggregate Space Gallery's Friction/Function series (Oakland), and as Program Manager for the ODC Theater (San Francisco).
Jassem Hindi was born in Saudi Arabia and studied philosophy at the Sorbonne, Paris. As a performer and sound-maker, his work extends internationally, involving mostly politically engaged work and the study of strange objects. As a musician, he is using mainly broken machines and lo-fi field recordings, in the spirit of experimental music. He collaborates widely in writing, performing, and sound-making, and teaches various workshops about sound, performance, and theory.
Shaista Latif is a Queer Afghan-Canadian artist, writer, and facilitator. Her works have been actively presented in Canada by festivals and platforms like Ontario Scene, SummerWorks, Halifax Queer Acts, and Why Not Theatre’s RISER Project. Latif’s work centres on exploring the politics of inclusion and advocating for spaces and processes that support agency and care. She was artist-in-residence at STO Union and was named a 2016 Siminovitch Protégé. Her play Graceful Rebellions was published in 2017.
Emily Leap was inspired by her work with Turbulence to enter into her own personal economics experiment. With one year left before graduation, she’s accumulated $150,000 in student loans and counting. But soon she will be a doctor. Or merely an acupuncturist. Or a doctor of Chinese medicine. Or just in debt. Or fall back into work as an aging trapeze artist.
Allyson Mitchell is a maximalist artist working in sculpture, performance, installation, and film. Her practice melds feminism and pop culture to investigate contemporary ideas about sexuality, autobiography, and the body. Her works have been exhibited in galleries and festivals across Canada, the US, and Europe. She is based in Toronto, where she is an Associate Professor in the School of Women's Studies at York University. She runs FAG Feminist Art Gallery with Deirdre Logue.
Lisa Myers is an independent curator and artist with a keen interest in interdisciplinary collaboration. Myers has an MFA in Criticism and Curatorial Practice from OCAD University. Since 2010, she has worked with anthocyanin pigment from blueberries in printmaking, and in her stop-motion animation. Her participatory performances involve sharing berries and other food items in social gatherings, reflecting on the value found in place and displacement; straining and absorbing. She has exhibited her work in solo and group exhibitions across Canada and her writing has been published in a number of exhibition publications in addition to Senses and Society, C Magazine and FUSE. She is an Assistant Lecturer in the Faculty of Environmental Studies at York University. Myers is a member of Beausoleil First Nation and she is based in Port Severn and Toronto.
Petrina Ng is a visual artist and cultural worker based in Toronto. Her multi-form feminist practice connects intimacy, discomfort, and absurdity. Previous projects have been shown in Canada, the United States, and the United Kingdom. Ng received a BA from the University of Toronto and an MFA from the Slade School of Fine Art (London).
Julie Phelps engages the hybrid strategies of producer, artist, and community activist to generate new knowledge for a world that is more complicated and less capitalistic. Phelps is the Artistic Director of CounterPulse in San Francisco, a performing arts venue and community hub. When not at work, Phelps is (literally) a mover and shaker in the field of contemporary dance, touring nationally and internationally as a speaker and dance artist.
Radiodress is an artist, Priestess, and Prison Chaplain. In hir creative practice, s/he uses live and recorded ritual, singing, yelling, talking, and listening to consider bodies as sites of knowledge, and communication as a political practice. Exploring the relationship between collective voice and the empathic act of listening, hir work engages with consensual ceremony as a site of vulnerability, and an entry point to sensation and emotion-based transformation. Radiodress’s projects have been performed widely in North America, Europe, South Asia, and the Middle East.
Zoë Schneider is a sculptor, curator, and arts administrator who transforms found and fabricated materials into artworks that investigate corporeality within social systems. Schneider’s works explore various phenomenon and experience, invoking responses ranging from quiet contemplation to interactive engagement. Schneider is currently completing an MFA at the University of Saskatchewan.
Multiple Dora and Gemini Award-nominated Brian Solomon is of Anishnaabe and Irish descent, from the Northern Ontario community Shebahonaning-Killarney. Solomon is a graduate of the School of Toronto Dance Theatre and has an MA in Performance from the Laban Center (UK). He has presented his multidisciplinary works and performed for a multitude of companies and creators in Canada, the US, and Europe. He has taught for many arts institutions and companies, including H.F.S. Ernst Busch, Berlin.
Kara Stone is an artist and scholar interested in the affective and gendered experiences of mental illness, wellness, and healing as it relates to art production, video games, and traditional crafting. Her artwork has been featured in The Atlantic, Wired, and Vice. She is a member of the Different Games Collective. She holds an MA from York University in Communication and Culture and is pursuing a PhD in Film and Digital Media with a designated emphasis in Feminist Studies at University of California, Santa Cruz.
Gabriel Todd is a dance- and music-based performing artist, choreographer, and sound designer living in Denver, Colorado. He received a BFA in Performance from Naropa University and an MFA in Dance from the University of Colorado, Boulder. He has performed and collaborated musically across the US and abroad with various artists. He is currently working on a collection of songs, texts, and dances called organ donor.
Kaitlin Tremblay is a writer and narrative designer living in Toronto. She is the author of the book Ain't No Place for a Hero (ECW Press, 2017) about subversive storytelling, and the lead writer of the narrative-driven and death-positive video game A Mortician's Tale (Laundry Bear, 2017). Kaitlin’s work explores mental illness, queerness, feminism, and community in video games.
Evan Tyler is an artist, musician, occasional curator, and a writer of fiction living and working in Canada. Tyler has exhibited and curated both nationally and internationally. From 2010-2014 he ran gallerywest on Toronto’s Queen Street West. His artwork focuses on voice and performance, blending the fictional and autobiographical. Tyler is a graduate of Masters of Visual Studies (MVS) in the studio program at the University of Toronto, with a collaborative graduate specialization from the Mark S. Bonham Centre for Sexual Diversity Studies.
Justice Walz is an interdisciplinary, Toronto-based artist. She is currently completing her BFA in Ryerson University's RTA New Media program. Her work spans a variety of media including installation, illustration, clay, and digital art. At age 11 she was diagnosed with Juvenile Idiopathic Arthritis—a condition that causes her chronic pain and fatigue. Today, Walz uses art to confront past traumas and has embraced her voice as a queer, mad-identifying, intersectional feminist—these themes resonate loudly in her work.
Jessica Lynn Whitbread is an activist and artist who has worked in the HIV movement since her diagnosis in 2002. She works in social practice and community art, engaging a diversity of audiences in critical dialogue. Her primary interests are bodies, sexuality, and desire, and her work explores how gender, sero-status, and criminalization impact the navigation of sexual relationships. In 2014 Jessica published her first book, Tea Time: Mapping Informal Networks of Women Living with HIV, a photo collection of her Tea Time community arts practice.
Alley Wilde is an arts and culture worker based in San Francisco. They create dance-based solo shows, perform drag as Hella Degenerate, and co-founded the queer performance collective Yum Yum Club. As an administrator, they work with Keith Hennessy/Circo Zero and Jess Curtis/Gravity doing grant writing, production management, marketing, and bookkeeping.
Ravyn Wngz, “The Black Widow of Burlesque,” is a Tanzanian, Bermudian, Mohawk, 2Spirit, Queer and Transcendent empowerment storyteller. Ravyn is an abolitionist and co-founder of ILL NANA/DiverseCity Dance Company. She is a Canadian Best-Selling Author, one of the Top 25 Women of Influence in Canada (2021), and a co-founder of Black Lives Matter Canada. She serves on the steering team of the Black Lives Matter Toronto Chapter, a group committed to eradicating all forms of anti-Black racism and to supporting Black healing and liberating Black communities.