How is knowledge produced through embodied practices?
How are bodies agents of knowledge production? What can bodily movement—from controlled and slow to improvised and abrupt—tell us, when words are inadequate? Whether performed collectively or by oneself, how do bodies generate, regenerate, or challenge ways of knowing? Created and understood through lived experience, performance, choreography, or pedagogical study, embodied knowledge embraces the body as a discursive site to address, resist or bring to light oppressive histories and harmful ideologies initiated and sustained by settler-colonialist, capitalist, and ableist institutions. The artists, curators, activists, and researchers represented in the list below ask us to consider: How can embodied practice become provocation to think and act differently? Incorporating dance, ambulation, collaborative action, improvisation, endurance, and stasis, these projects, performances, exhibitions, and publications amplify movements in Indigenous water justice, data sovereignty, disability rights, economic justice, and decolonial scholarship.
Pȟehíŋ Kiŋ Líla Akhíšoke (Her Hair was Heavy)
Levels of Access: Bandwidth, Translation, and Virtual Spaces
The Elements of Influence (and a Ghost)
The Cage is a Stage
Procession
A Rest
Walking through Mishibizhiw: Challenging the Measured Pace of Colonization
Bringing the Decolonial into Kinesiology, Health, and Sport Ethics
Finding Language
Seeking After the Fully Grown Dancer deep within
Turbulence (a dance about the economy)
Transmission: Melati Suryodarmo
Transmission: Raji Aujla
Transmission: Emily Johnson
Transmission: Romily Alice Walden
Transmission: d'bi.young anitafrika
The Whole World in Our Hands: A Sensory Engagement Guide
Bodymind
Experiential learning
Hevrutah
Knitting, knotting, and quilting
Speaking and Listening