Kite’s sonic sculpture performance manipulates a hair braid interface—a computer on a 50-foot braid of hair—to control sonified, AI-generated texts. Following Lakȟóta ontology, where seemingly inanimate objects can be alive with spirit, Kite’s performance is an experiment in greeting that spirit through a dissonant soundscape of speech, music, and noise.
In a follow-up discussion, Kite and Kristen Bos will reflect on the strategies, ethics, and responsibilities to data in its use for sampling, improvisation, collaboration, and interface design in Kite’s artistic practice.
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Kristen Bos is an Assistant Professor of Indigenous Science and Technology Studies at the University of Toronto Mississauga and the co-Director of the Indigenous-led Technoscience Research Unit, an environmental justice lab at the University of Toronto. She is an Indigenous feminist researcher trained in archaeological approaches to material culture, and an Indigenous science and technology studies (STS) researcher, who is concerned with the relationship between colonial, gendered, and environmental violence. She is urban Métis based in Toronto, but her homeland is northern Alberta where prairie transitions into boreal forest.
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