Decolonizing the Anthropocene

  • Heather Davis
  • Zoe Todd
Tania Willard and New BC Indian Art and Welfare Society Collective, #haunted_hunted, 2015. Photo: Aaron Leon. Courtesy the artist.

The Anthropocene has never been a properly geological concept—it has always been political. And, we argue, it has always been entwined with settler colonialism, at least on Turtle Island. Other places on Earth might have the Anthropocene starting at different times, with different events, but for us, here, thinking the Anthropocene outside of its Eurocentric framings and identifying the interlinking connections between the Anthropocene and colonialism helps us begin to name and then dismantle its ecocidal logics.1

Colonialism, especially settler colonialism—which in the Americas simultaneously employed the twinned processes of dispossession and chattel slavery—was always about changing the land, transforming the earth itself, including the creatures, plants, soil composition, and atmosphere. It was about moving and unearthing rocks and minerals. All of these acts were intimately tied to the project of erasure that is the imperative of settler colonialism. The damming of rivers, clear-cutting of forests, and importing of plants and animals remade the worlds of North America into the vision of a displaced Europe, fundamentally altering the climate and ecosystems. Settler colonialism, in North America and elsewhere, is marked by this process of terraforming.2 As Kyle Whyte of the Potawatomi Nation argues, “industrial settler campaigns erase what makes a place ecologically unique in terms of human and nonhuman relations, the ecological history of a place, and the sharing of the environment by different human societies.”3 Further, the forced displacement that many tribal communities suffered involved adaptation to entirely new environments, new climates, new ecosystems, new plants and animals. These processes of environmental transformation and forced displacement can be understood as climate change, or more broadly, a preview of what it is like to live under the conditions of the Anthropocene. And so, as Whyte makes clear, the current environmental crises named through the designation of the Anthropocene can be viewed as a continuation of, rather than a break from, previous eras that begin with colonialism and white supremacy, and extend through advanced capitalism. In other words, climate change and the Anthropocene, understood from an Indigenous perspective, are not new events, but are rather the cyclical recurrence of logics of extraction (of bodies, lands, minerals, fossil fuels) that have amplified to become a global phenomenon.

The ideological presuppositions of the Anthropocene were made explicit in the eponymous article by Paul Crutzen and Eugene Stoermer (2000), who rely upon the concept of the noösphere to articulate their position.4 The noösphere places thought above the biosphere and geosphere, and is framed as a teleological progression that follows the development of the earth’s geological features and biota, as demonstrated by Pierre Teilhard de Chardin’s writings on the concept.5 This conceptualization assumes that the biosphere cannot, in and of itself, constitute an “envelope of thinking substance,” which contradicts the millennia-old philosophical traditions of many Indigenous peoples.6 In particular, Vanessa Watts elegantly articulates the concept of Indigenous Place-Thought, drawn from her own familiarity with deeply rooted Indigenous philosophies still practiced and applied in North America.7 Place-Thought necessarily disrupts a concept of knowledge separate from the geosphere and biosphere, and posits instead that land and thought are integral to one another; knowledge is not another technological layer somehow presumed to be outside of the earth. Indigenous Place-Thought thus asserts that life and thought are animated through and bound to bodies, stories, time, and land. Global colonial dispossessions continue to haunt—through bones, bodies, and stories—and assert the removal of human thought and technology from the earth.

Marking the contiguous histories of colonialism and the Anthropocene is not an academic exercise. It is rather about taking stock, being affected by, and feeling the reverberations of the violence of European settlement.8 Colonialism tore apart and disrupted worlds in the places both of us currently reside—these unceded and unsurrendered lands across North America—and hit like a seismic shock. The seismic shock of dispossession and brutality that colonialism employed to gain entry into and claims over Indigenous lands in the fifteenth to nineteenth centuries kept rolling like a slinky, pressing and compacting in different ways in different places, as colonialism spread outwards into homelands of self-determining peoples around the globe. It worked to compact and speed up time, laying waste to legal orders, languages, and place-stories in quick succession. The fleshy, violent loss of 50 million Indigenous peoples in the Americas is something we read as a “quickening” of space-time. This seismic shock of genocide met with another one, that of the Middle Passage, again premised upon a logic of extraction and violence. Christina Sharpe describes the ongoing reverberations of chattel slavery and the rending of life-worlds in the wake of the ships and ideologies that transported captured Africans across the Atlantic. Sharpe teaches us that “in the wake, the past that is not past reappears, always, to rupture the present.”9 Building on her work, we can gesture towards how the entangled viciousness of capital and white supremacy have their direct roots in the epistemic violence of discovery, dispossession, extraction, and the horrific capture of life, bodies, and worlds. The Anthropocene-as-disaster narrative in dominant scientific and social science discourse must reckon with the ongoing disaster of the Middle Passage and settler colonialism. This seismic shockwave has rolled through and across space and time, and is now hitting those nations, legal systems, and structures that brought about the rending and disruption of lifeways and life-worlds in the first place.10

Indigenous and Black resistance in the face of apocalypse—including the renewal and resurgence of Indigenous and Black communities in spite of world-ending violence—is something that Euro-Western thinkers should heed as we contend with the implications of the seismic upheaval of worlds that began back in 1492. In order to adequately address climate change and other environmental catastrophes we need to seriously think through and enact processes of decolonization. This involves self-governance for Indigenous peoples, the return of stolen lands, and reparations for the descendants of captured Africans. It must also fundamentally question the bounds and the legitimacy of the nation-state structure itself. As we are already seeing around the world, people will not simply sit still in the face of ecological destruction, but will move, adapt, and try to find ways of recomposing with their kin and companion species. Rather than positioning the salvation of Man11—the liberation of humanity from the horrors of the Anthropocene—in the technics and technologies of the noösphere, we call here for a tending once again to relations, to kin, to life, longing, and care.12 This commitment to tenderness and relationships is one necessary and lasting refraction of the violent and unjust worlds set in motion at the beginning of the colonial moment.



Heather Davis is an itinerant writer and editor. She has written widely for art and academic publications on questions of contemporary art, politics, and ecology. She is the co-editor of Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies (Open Humanities Press, 2015) and editor of Desire Change: Contemporary Feminist Art in Canada (MAWA and McGill Queen’s UP, 2017).

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Zoe Todd (Métis/otipemisiw) is from Amiskwaciwâskahikan (Edmonton), Alberta. She writes about fish, art, Métis legal traditions, the Anthropocene, extinction, and decolonization in urban and prairie contexts. She also studies human-animal relations, colonialism, and environmental change in north/western Canada.

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Tania Willard, of Secwépemc and settler heritage, works within the shifting ideas around contemporary and traditional, often working with bodies of knowledge and skills that are conceptually linked to her interest in intersections between Aboriginal and other cultures. Her curatorial work includes Beat Nation: Art Hip Hop and Aboriginal Culture (2012-2014), co-curated with Kathleen Ritter. In 2016 Willard received the Award for Curatorial Excellence in Contemporary Art from the Hnatyshyn Foundation and a City of Vancouver Book Award for the catalogue Unceded Territories: Lawrence Paul Yuxweluptun. Willard’s ongoing collaborative project, BUSH Gallery, is a conceptual land-based gallery grounded in Indigenous knowledges and relational art practices. Willard is an MFA candidate at UBCO Kelowna, and her current research constructs a land rights aesthetic through intuitive archival acts.

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