Whose Woods These Are

  • Zackery Hobler
Zackery Hobler, 18133401, 2018. Archival inkjet print. Courtesy the artist.

Fire has a wild and unpredictable capacity to destroy, remake, and renew. In a series of photographs, Zackery Hobler documents conservationists’ efforts to restore landscapes through controlled burns. Fire has come to be recognized as a crucial part of forest and grassland ecology in many recent conservation practices, against earlier methods that took a strictly preservationist approach to forest management. This latter method prohibited Indigenous nations across Canada from managing their territories through fire stewardship, even as controlled burns have been a documented practice for thousands of years.

Some tree species, like lodgepole pines across the West coast, only release their seeds when triggered by fire. This unusual adaption shows that conventional thought must be unsettled to better understand ecological worlds. Like the fiery and combustive imagery of the forge, Hobler’s image asks how transformation can be effected through re-engaging materials and thought processes that have been naturalized or ossified.



Zackery Hobler is a photographer from Southern Ontario whose changing familial structure and frequent moving during childhood led him to develop a thread in his work where he seeks to circumscribe permanence. His most recent work involves a question surrounding optimism and destruction through the burning of grasslands. His work has been displayed in Canada and the USA, most recently in the Art Gallery of Mississauga and Gallery 44 in Toronto. Hobler’s interest in photobooks has resulted in the irregularly materializing Toronto Photobook Library, a roving community viewing room aimed at bolstering interest in and discussion on the medium through panels and exploratory programming.

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