In Old Long Stay, Yuki Iiyama sheds light on the grassroots struggle of disabled Zainichi, Korean residents of Japan and their descendants. As a legacy of Japan’s colonial era and imperial ambitions, Zainichi Koreans remain unable to access disability pensions due to restrictive laws and ongoing marginalization. Centring a class action lawsuit led by members of the Deaf community in the Higashi-Kujo area of Kyoto, Iiyama’s film stitches together archival footage, plaintiff interviews, and documentation of a workshop at the NPO Kyoto Zainichi Korean Life Center LFA. Facilitated by the artist, the workshop prompts participants to create figurines that represent “those who had wanted to take a stand but couldn’t join the movement.” Depicted in the lightbox, the palm-sized moulded figures—some upright, others toppled over—form a line at a local train station, evoking both a queue and protest procession.