As a politicized tool, choreography can enact the movement of bodies along continuous and discontinuous times and spaces, setting up a common principle in order to make sensible the slippage of form, content, and context. Johanna Householder and Francisco-Fernando Granados share an interest in these sites of politicized slippage in the relationship between score/notation/documentation and performance, whether it is highlighting the not-always-visible gender politics at play in aesthetic theory, framing a form of state violence as a readymade, creating an embodied manifesto to challenge the narrow confines of formalism, or pushing past the boundaries of the identifiable in a slow movement towards self-abstraction. The embodied conversation between the two artists incorporates audio-visual and spatial components, folding in selections from their solo work, their ongoing collaboration, and discussion of works by other artists.