Ke'tapekiaq Ma'qimikew: The Land Sings is an audio-based endurance performance that offers an apology to the land for the ways in which our human impact has shaped the landscape and displaced the voices of many Indigenous peoples. Johnson’s project posits song as a positive force that brings people together in the act of singing. The land is recognized as a feminine body and a matriarch by many Indigenous nations, and many cultures determine their movement on the land through song. In the process of collaboration, the song takes shape and gains a new title in the language of the participants and in response to the land on which it is performed.