How is the world being made and unmade by digital technologies? How are they serving as an extension of the body—from the smartphone to avatar to biometric data? What are the ethical and epistemological implications of this rapidly changing moment?  How might we scrutinize the relationship between digital technologies and the cultures and politics that animate them?11On the materiality of digital technologies and the philosophies and imaginaries lurking in artificial intelligence, the internet, predictive policing, airport security, biometric recognition, and biological warfare, see Zach Blas: Unknown Ideals, eds. Edit Molnár and Marcel Schwierin (Berlin: Sternberg Press, 2021). What beliefs, desires, fantasies, histories, and symbols are latent in the technical systems that surround and capture our bodies? Can new technologies be mobilized toward liberation and survival? How are artists exploring the radical potential of (de)generative aesthetics,22On the wild edges of contemporary computational culture and politics, see Beth Coleman, Reality Was Whatever Happened: Octavia Butler AI and Other Possible Worlds at https://realitywaswhateverhappened.com/OBAI. inciting counter-beliefs, reconfiguring bodies and worlds, and sustaining ethical relationality? Must some things come undone in order for new ways of thinking, being, and doing to emerge? Can we revel in unworlding?33See Jack Halberstam, “Unworlding: An Aesthetics of Collapse,” recorded at RISD, September 23, 2022, available at https://complexity.risd.edu/methods-insights/jack-halberstam-unworlding-an-aesthetics-of-collapse/.

How can we attune ourselves to the world-to-come? Presented alongside three choreographic works premiering in Toronto in winter 2024—Weathering, FACE RIDER, and Odd-Sensual—the Attunement Sessions inquire into the profound aesthetic, environmental, geopolitical, philosophical, sexual, social, and technological questions necessary to approach difficult problems about how we live, think, act, build, sense, and move together towards an imperiled future.

Through artistic provocations, thought-experiments, and experiential exercises, the sessions foreground the necessity for deeper attunement to the processes of destruction and disaster making the world as we know it (accumulation, alienation, contamination, disembodiment, displacement, extinction, extraction, settlement...) and forms of composing and imagining the future we want to live in (affinities, edgings, interdependencies, proximities, solarities, wet dreams…).

Framed by a series of questions, the sessions bring together choreographed and improvised, intimate and planetary, descriptive and speculative approaches by participants from diverse disciplines and practices including art history, black studies, choreography, dance studies, decolonial environmental humanities, disconnection studies, feminist science & technology studies, Indigenous philosophy, intimacy coordination, poetry, queer and transgender studies, visual arts, and more.