An artist and transmedia producer of Ecuadorian and Chinese descent, Marisa Morán Jahn founded Studio REV-, a non-profit organization whose key projects include El Bibliobandido, Video Slink Uganda, Contratados, the Nannyvan, an app for domestic workers that CNN named as “one of five apps to change the world,” and the CareForce. She is a graduate of MIT and teaches at MIT, Columbia University, and The New School.

Letters & Handshakes is a collaboration of Greig de Peuter (Department of Communication Studies, Wilfrid Laurier University) and Christine Shaw (Blackwood Gallery and Department of Visual Studies, University of Toronto Mississauga).
Letters & Handshakes’ past projects include the exhibitions I stood before the source and Precarious: Carole Condé + Karl Beveridge, the forum Fighting Foreclosed Futures: Politics of Student Debt, and the symposium and micropublication Surplus3: Labour and the Digital.

Christine Shaw is Director/Curator of the Blackwood Gallery and Associate Professor of Curatorial Studies in the Department of Visual Studies at the University of Toronto Mississauga, a Research Fellow & Visiting Scholar in Art, Culture Technology (ACT) at the Massachusetts Institute of Technology, and Curatorial Research Fellow, Andy Warhol Foundation for the Visual Arts (2021–2023).

Shaw’s work convenes, enables, and amplifies the transdisciplinary thinking necessary for understanding our current multi-scalar historical moment and co-creating the literacies, skills, and sensibilities required to adapt to the various socio-technical transformations of our contemporary society. She has applied her commitment to compositional strategies, epistemic disobedience, and social ecologies to multi-year curatorial projects including Take Care (2016–2019), an exhibition-led inquiry into care, exploring its heterogeneous and contested meanings, practices, and sites, as well as the political, economic, and technological forces currently shaping care; The Work of Wind: Air, Land, Sea (2015–2023), a variegated series of curatorial and editorial instantiations of the Beaufort Scale of Wind Force exploring the relentless legacies of colonialism and capital excess that undergird contemporary politics of sustainability and climate justice; and OPERA-19: An Assembly Sustaining Dreams of the Otherwise (2021–2029), a decentralized polyvocal drama in four acts taking up asymmetrical planetary crisis, differential citizenship, affective planetary attention disorder, and a strategic composition of worlds. She is the founding editor of The Society for the Diffusion of Useful Knowledge (Blackwood, 2018–ongoing), and co-editor of The Work of Wind: Land (Berlin: K. Verlag, 2018) and The Work of Wind: Sea (Berlin: K. Verlag, 2023).

Greig de Peuter collaborates on Cultural Workers Organize, an international research project exploring collective responses to precarity in the cultural and creative industries. He is Associate Professor in the Department of Communication Studies at Wilfrid Laurier University in Waterloo. He is a co-founder of Letters & Handshakes.

Greig de Peuter is Assistant Professor in the Department of Communication Studies at Wilfrid Laurier University. He researches the contested political economy of media and cultural production, with an emphasis on work, labour, and employment. He is currently collaborating with Enda Brophy and Nicole Cohen on a multi-country study of precarious labour politics in creative industries. His most recent book, co-authored with Nick Dyer-Witheford, is Games of Empire: Global Capitalism and Video Games (University of Minnesota Press, 2009). His writing has appeared in The Fibreculture Journal, Journal of Communication Inquiry, Journal of Cultural Economy, and several anthologies. His article with Cohen and Brophy, “Interns, Unite! (You Have Nothing to Lose—Literally),” received the 2013 Canadian Association of Journalists/Communication Workers of America—Canada Award for Labour Reporting. He has been active in collectively run autonomous education and curatorial projects, including the Toronto School of Creativity & Inquiry (2005-2010), and Letters & Handshakes (from 2014).