Amelia Abreu is a writer and design researcher based in Portland, Oregon, and the founder of UX Night School. Her writing on technology and culture has appeared in various publications. She holds a BA from Evergreen State College, an MSIS from the University of Texas-Austin, and an MS from the University of Washington.
Artist-engineer Marc Böhlen (a.k.a. RealTechSupport) imagines and designs information systems that reflect on automation as cultural currency. Böhlen is Professor of Media Study at the University at Buffalo and is co-creator of the online resource “Robots for Last Days.” His projects query the relationship between people and automation at large, generating unexpected qualities from quantitative processes.
Hermenio Lima is Associate Professor and a Dermatologist and Clinical Immunologist. He is the Head of McMaster University Dermatology division and is the Director of the McMaster Centre for Clinical Dermatology. Lima completed his PhD in Tropical Public Health at Harvard School of Public Health. He was trained in biostatistics and has led multiple large-scale clinical trials and experimental studies.
Ian Roderick is an Associate Professor in the Department of Communication Studies at Wilfrid Laurier University. He is the Special Issues Editor for Critical Discourse Studies and recently published Critical Discourse Studies and Technology: A Multimodal Approach to Analysing Technoculture (2016). His research interests include technology and culture, militarism, and critical discourse studies.
Sarah Sharma is Associate Professor of Media Theory at the Institute of Communication, Culture, Information, and Technology and Director of the McLuhan Centre for Culture and Technology at the University of Toronto. She is the author of In the Meantime: Temporality and Cultural Politics (Duke University Press, 2014) and is currently working on a new book that explores the gendered politics of exit and refusal, or what she terms the ‘(s)Exit’ within contemporary techno-culture.
David Harris Smith is Associate Professor in the Department of Communication Studies and Multimedia at McMaster University. Smith’s recent cultural robotics project, hitchBOT: The hitchhiking robot, has been exhibited in galleries and museums and received international media coverage. Smith is the lead researcher on the SOSCIP Virtual Cities Environment project, a 3D city-modeling platform.
Frauke Zeller is Associate Professor in Ryerson’s School of Professional Communication. She has extensive experience in Human-Robot Interaction, with her PhD thesis dealing with a linguistic analysis of interactions between robots, virtual agents, and humans. Together with Dr. Harris Smith she is the co-creator of hitchBOT, Canada’s first hitchhiking robot.
Letters & Handshakes is a collaboration of Greig de Peuter (Department of Communication Studies, Wilfrid Laurier University) and Christine Shaw (Blackwood Gallery and Department of Visual Studies, University of Toronto Mississauga).
Letters & Handshakes’ past projects include the exhibitions I stood before the source and Precarious: Carole Condé + Karl Beveridge, the forum Fighting Foreclosed Futures: Politics of Student Debt, and the symposium and micropublication Surplus3: Labour and the Digital.
Christine Shaw is Director/Curator of the Blackwood Gallery and Associate Professor of Curatorial Studies in the Department of Visual Studies at the University of Toronto Mississauga, a Research Fellow & Visiting Scholar in Art, Culture Technology (ACT) at the Massachusetts Institute of Technology, and Curatorial Research Fellow, Andy Warhol Foundation for the Visual Arts (2021–2023).
Shaw’s work convenes, enables, and amplifies the transdisciplinary thinking necessary for understanding our current multi-scalar historical moment and co-creating the literacies, skills, and sensibilities required to adapt to the various socio-technical transformations of our contemporary society. She has applied her commitment to compositional strategies, epistemic disobedience, and social ecologies to multi-year curatorial projects including Take Care (2016–2019), an exhibition-led inquiry into care, exploring its heterogeneous and contested meanings, practices, and sites, as well as the political, economic, and technological forces currently shaping care; The Work of Wind: Air, Land, Sea (2015–2023), a variegated series of curatorial and editorial instantiations of the Beaufort Scale of Wind Force exploring the relentless legacies of colonialism and capital excess that undergird contemporary politics of sustainability and climate justice; and OPERA-19: An Assembly Sustaining Dreams of the Otherwise (2021–2029), a decentralized polyvocal drama in four acts taking up asymmetrical planetary crisis, differential citizenship, affective planetary attention disorder, and a strategic composition of worlds. She is the founding editor of The Society for the Diffusion of Useful Knowledge (Blackwood, 2018–ongoing), and co-editor of The Work of Wind: Land (Berlin: K. Verlag, 2018) and The Work of Wind: Sea (Berlin: K. Verlag, 2023).
Greig de Peuter collaborates on Cultural Workers Organize, an international research project exploring collective responses to precarity in the cultural and creative industries. He is Associate Professor in the Department of Communication Studies at Wilfrid Laurier University in Waterloo. He is a co-founder of Letters & Handshakes.
Greig de Peuter is Assistant Professor in the Department of Communication Studies at Wilfrid Laurier University. He researches the contested political economy of media and cultural production, with an emphasis on work, labour, and employment. He is currently collaborating with Enda Brophy and Nicole Cohen on a multi-country study of precarious labour politics in creative industries. His most recent book, co-authored with Nick Dyer-Witheford, is Games of Empire: Global Capitalism and Video Games (University of Minnesota Press, 2009). His writing has appeared in The Fibreculture Journal, Journal of Communication Inquiry, Journal of Cultural Economy, and several anthologies. His article with Cohen and Brophy, “Interns, Unite! (You Have Nothing to Lose—Literally),” received the 2013 Canadian Association of Journalists/Communication Workers of America—Canada Award for Labour Reporting. He has been active in collectively run autonomous education and curatorial projects, including the Toronto School of Creativity & Inquiry (2005-2010), and Letters & Handshakes (from 2014).