Contributor

Martin Revermann is Professor in Classics and Theatre Studies at the University of Toronto. His research interests lie in the area of ancient Greek drama (production, reception, iconography, sociology), Brecht, theatre theory and the history of playgoing. He is the author of Comic Business: Theatricality, Dramatic Technique and Performance Contexts of Aristophanic Comedy (Oxford [Oxford University Press] 2006). He has also edited A Cultural History of Theatre (vol. 1: Antiquity) (London [Bloomsbury/Methuen Drama], 2017), The Cambridge Companion to Greek Comedy (Cambridge [Cambridge University Press] 2014), (with I. Gildenhard) Beyond the Fifth Century: Interactions with Greek Tragedy from the Fourth Century BCE to the Middle Ages (Berlin/New York [de Gruyter] 2010) and (with P. Wilson) Performance, Iconography, Reception: Studies in Honour of Oliver Taplin (Oxford [Oxford University Press] 2008). In addition, he is the author of articles on Greek comedy and tragedy, Brecht, Homer, theatre-related vase paintings, and theatre theory.