How can improvisation engender new forms of redistribution and networks of solidarity?
When is it time to improvise, and how do we know? How are consensus-building and consent mobilized in performance? How do we build strong relationships and networks that serve as the preconditions for improvisation? While “flexibility,” “creativity, and “responsiveness” are traits that often underwrite austerity measures, we remain attentive to how spontaneity can support social and political goals. When effectively integrated as a tool within institutions, collectives, and performance practices, improvisation buoys our ability to build social networks, share resources, and link struggles. Seen both as a methodology for artistic practice, and an ethic for working together, the willingness to improvise creates opportunities for attentiveness to ever-changing sociopolitical conditions.
SDUK 07: TILTING (1)
SDUK 07: TILTING (2)
tl;dr part 1
tl;dr part 2
Turbulence (a dance about the economy)
Furnishing Positions
The Cage is a Stage
Strategies for Radical Democracy
Fall In
Fall Out
Circo Zero
Cohabitation Strategies
Volumes
Strike
Mutual aid
Exploration
Desire
Allyship