Contributor

Stephanie Anderson is a PhD candidate in Art and Visual Culture at Western University with a specialization in labour theory, the creative economy, and the politics of maker culture. She has held curatorial and research internships at the McMichael Canadian Art Collection in Kleinburg, Ontario, and McIntosh Gallery in London, Ontario. In 2015 she co-organized Re: Mediation: A Dialogue on Immersive and Interactive Art, a symposium held in conjunction with the exhibition Very Nervous System at McIntosh Gallery. Her current research explores the historically fraught relationship between artistic production and the wider structures of work and labor which characterize late capitalism.